Assemblage

"Assemblage" is the 3-D version of "collage”. "Found object fragments," "discards," or "throwaways" (artist's work to look at: Schwitters, Cornell, Rauschenberg, Bearden, etc.).


These things are organized by their specific elements. The resulting groups are then arranged into compositions of art.


Extending to many cultures of people living in family, religious, work, and various other groups; We could be viewed as a complex living version of "assemblage”(Webster 1. a group of persons or things gathered or collected).


We have “found” each other by chance; either by blood, common goals, or a certain chemistry. These connections help to formulate new ideas, innovations, and even new generations. John Anderson

Sunday, July 8, 2012

Empowering Students to Learn: My Confession Part II:

“...the paradox of the epidemic: that...to create one contagious movement, you often have to create many small movements first.” 
― Malcolm Gladwell, The Tipping Point: How Little Things Can Make a Big Difference


“If you’ve ever salsa danced with Chewbacca, then you have a pretty good idea of what it’s like to plow expeditiously through a turn inside Lamborgini’s latest V-12 supercar, the Aventador…” Fun at 200 MPH, by David Undercoffler. Chicago Tribune, Rides section July 8, 2012

At the start of my high school teaching career, I was a “control freak.” I was in charge and new my subject well. Students had to approach my level of excellence; and they worked very hard to please me. 

The students left for the summer. They also left their projects on the table. They worked for me, produced my work and learned little about decision making.

My new goal was for them to achieve their goals as well as mine. A beginning foundation series of projects achieved during the first half of the semester was presented for them to acquire independence leading to a personally chosen final project. These building blocks of skills were needed later to express their own ideas. They bought it and raced through the main course to have their desert.

It was difficult for me to teach even one unfamiliar and challenging technical process by myself to 22 to 27 students in 50 minutes. Luckily, 5 to 7 advanced students were willing and empowered to help teach. Learning from each other, beginners left class on the first day of school with a soldered and polished ring on their finger. They were fired up. They showed their ring to friends in school; and at home when asked “How was your first day of school?” Not...”my teachers talked all period about rules and regulations”...”it was boring!”
In his article “Fun at 200 MPH”, David Undercoffler writes about the Lamborghini Aventador, Bugatti Veyron, and the McLaren MP4-12C. These are obviously fantasy dream cars for 99% of us. The opportunity to even sit in one is remote. The fact that these cars are man-made works of art; awesome; impressive; and mind-blowing beautiful; gives students an idea of expectations for their art. At least they can understand how pleased they would be to hear such adjectives about their completed projects.

At 200 mph, Mr. Undercoffler writes... “Outside, the landscape moves past you and the horizon toward you with an ethereal alacrity that’s similar to rushing out of a dream.” (Students, don’t try this with your car.) Then he explains what is needed to achieve this speed...”transmissions that shift in milliseconds”...”brake rotors the size of large pizzas”...”carbon fiber passenger cells”...”aerodynamic down force that would hold an elephant to an ice rink”...”and engines [with] four turbochargers putting out 1000 horsepower.” 

Descriptives like “works of art; awesome; impressive; and mind-blowing beautiful” don’t come easy. Each element required to achieve these dream cars involves years of teams of experts drawing plans and experimenting with various materials. This ongoing process produces continuos changes for improvement.
Students want to play it safe; they can’t accept failure; and they want it finished now. They don’t know what you know. You have to bring them up to speed by slowing down and riding with them for a while until they feel comfortable with you. They want your approval and acceptance of what they can already do in the beginning, but it won’t last, because tomorrow they must do something better. They need time, your encouragement, and knowledge to get it right. Share with them the “Aventador” of your passion. You will never bring them to your level in one semester or even four years of high school; but you can light the “Veyron” fire in their hearts for further exploration and “life-long-learning”.
JA


Wednesday, March 28, 2012

An Ethic of Excellence: Building a Culture of Craftsmanship with Students by Ron Berger


Please read this book. It is a good and short read published by Heinemann of Portsmouth, NH.
I found myself repeating the message of making 3-d projects more dimensional instead of flat with a strong three-point, or multi-point landing for stability. An “A” project was a finished project. “Finished” was a code word for finely crafted work throughout, showing thoughtful, deliberate surfaces and edges.
Repetition is the best learner and students began telling themselves and their peers until a “Culture of Craftsmanship” was born in my art classes. Word spread and many new students started my classes knowing what to expect. 
Ron Berger is not an art teacher, but a “Master Teacher” and uses the art of classroom critiques to fine tune science projects, creative writing, research papers and everything the students make. His students are given time to execute multiple drafts for growth and improvement.
He believes engaging students in activities that will “expand the notion of excellence to include excellence as a human being...” Ron Berger says “there is no time in the new “standards” for a deep investigation of culture”. “[His] students will never again view history and science without ethical questions and discerning eyes; they will hunger for deep intellectual discussion and debate; they will be open to understanding different customs and cultures; they will have the memory of a friendship that transcends race and background”...”showing kindness...and caring for others”. (p62)
“The question for [Ron] is not whether we can afford to keep art in our schools but how we can ensure that students put artistic care in everything they do.” 
“Art is everything and everything is art” (Ron Berger)
I have often said to my students “ Art is everything but everything is not necessarily Art.” (John Anderson) 

Saturday, February 11, 2012

Check Out Photographer Kelly Stachura.




Kelly photographs a wide range of subjects proving she knows her way around the art of photography. 
My personal favorite is the suite of dancers.
Her dance photos capture the strength, stretch, and balance of the dancers in compositions that suggest motion before and after the click of the camera. She likes to catch the dancer at the end of a phrase in the completion of a pose at full extension.
Respect for their athletic and artistic prowess is evident in each image along with their humanity. 
The feeling and the beauty of artistic expression by the human body is meticulously revealed in explicit detail. Her use of color, composition and soft lighting transform strenuous, challenging work into the smooth, flowing movement of the dance performance. 
Kelly was very well known in high school as a rising star in the visual arts. Her involvement in various artistic activities today present her as an accomplished artist. 
Visit her website and explore the wonders of her expertise.

Thursday, February 9, 2012

#6 “The arts teach students that small differences can have large effects. The arts traffic in subtleties”. Elliot Eisner


What this means to me?
“The devil is in the details.” Focusing on the finer points in the process of art requires more time and more thought. During the process of making art, your actions reveal your thinking as a visual message. Breaking down the steps along the way to make deliberate marks, gestures, and/or color changes control your expression and avoid giving alternate signals in the work. Poor craftsmanship when technical excellence is required can be a distraction to the viewer. 
Usually surface adornment is an issue of scale. Small hand made, fine art jewelry in silver and gold show a tighter control in polish and pattern. While large scale cast bronze sculptures by Henry Moore tolerate a looser, more gestural expressionistic surface texture. Both works are well planned, and thoughtfully controlled by the successful artist. 
A work of art should appear fresh and spontaneous; not overworked. It takes decades of experience for the successful artist to go directly to the critical issues of a work in a very quickly executed manner; and call it finished. If it looks so easy to produce and you can say “anyone can do that”; then please try it! JA
“It often happens that in our understanding of a work of art, it is the indescribable that lifts it beyond the scope of the most convincing analysis. Thus the effect comes from what the image does not reveal, the unseen world implicit in the photograph. Such is the vision of an observer like Henri Cartier-Bresson, who was interested less in the pearls than the string holding them together. The truth is found not in a comprehensive assortment of facts, but in the spaces in between.” (Pierre Assouline Henri Cartier-Bresson A Biography Translation-Thames & Hudson 2005, original 1999.)

Sunday, January 8, 2012

#5 “The arts make vivid the fact that words...nor numbers exhaust what we can know." Elliot Eisner


#5 “The arts make vivid the fact that neither words in their literal form nor numbers exhaust what we can know. The limits of our language do not define the limits of our cognition.” Elliot Eisner
What this means to me?

Art is another language; another way to understand our world. 

What does an object’s form, shape, color, and texture reveal when words and numbers are not available to us? Ask an archeologist. 
“Archeology is considered a science and a humanity. It draws upon anthropology, art history, linguistics, and geology to name a few among many other disciplines. It’s purpose is to learn more about past societies and the development of the human race. Over 99% of the history of humanity has occurred within prehistoric cultures, who did not make use of writing. For many literate cultures, written records cannot be trusted as a sole source. Material records may be closer to a fair representation of the larger population.” (Wikipedia)
The distinct art object is fixed into existence for others to observe. The artist often takes something mundane, missed or rejected by others and raises it’s value to a larger purpose. The main objective for the artist is to be innovative and creative, making a one of a kind statement, and to be true to herself or himself.
Acting, dance, music, painting, photography, and sculpture, extend the “limits of our cognition” by providing a clearly perceptible and intense experience. Bright colors and animated forms provide a striking reality for the senses. The power of life with all it’s spirited ups and downs is expressed in art with lively presentation. Students learn about themselves in the arts. The arts teach the ability to think critically; to solve problems; and to synthesize long term goals into daily activity. JA